<p>“Graduate students, scholars and professionals interested film and addressing problems posed by the rising Anthropocene might find this book useful in providing ways to think outside the box and expand thinking to be more inclusive.” (Morgan Danker, CBQ Communication Booknotes Quarterly, Vol. 51 (3-4), 2020)</p>

This book provides an interdisciplinary analysis of film in the context of the Anthropocene: the new geological era in which human beings have collectively become a force of nature. Daniel White draws on perspectives in philosophy, ecology, and cybernetics (the science of communication and control in animals and machines) to explore human self-understanding through film in the new era. The classical figure of Janus, looking both to the future and the past, serves as a guide throughout the study. Both feature and documentary films are considered.  
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This book provides an interdisciplinary analysis of film in the context of the Anthropocene: the new geological era in which human beings have collectively become a force of nature.
1. Introduction: Stepping into the Play Frame—Cinema as Mammalian Communication.- 2. Janus’s Celluloid and Digital Faces: The Existential Cyborg—Autopoiēsis in Christopher Nolan’s Memento.- 3. Documentary Intertext: Robert Gardner’s Dead Birds 1964.- 4. Cinema’s Historical Incarnations: Traveling the Möbius Strip of Biotime in Cloud Atlas.- 5. Documentary Intertext: John Marshall, The Hunters 1957.- 6. Janus East and West: Multicultural Polyvocality—Trinh Minh-ha’s The Fourth Dimension and The Digital Film.- 7. Documentary Intertext: Trance and Dance in Bali 1951.- 8. Janus’s Interspecies Faces: Biomorphic Transformations in the Ecology of Mind in James Cameron’s Avatar.- 9. Documentary Intertext: André Singer’s and J. Stephen Lansing’s The Goddess and the Computer 1988.- 10. Conclusion: Toward a Transdisciplinary Critical Theory of Film.
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This book provides an interdisciplinary analysis of film in the context of the Anthropocene: the new geological era in which human beings have collectively become a force of nature. Daniel White draws on perspectives in philosophy, ecology, and cybernetics (the science of communication and control in animals and machines) to explore human self-understanding through film in the new era. The classical figure of Janus, looking both to the future and the past, serves as a guide throughout the study. Both feature and documentary films are considered.  
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Offers an original perspective on film in light of cross-cultural, environmental, postcolonial, and scientific-technological source. One of the first books to deal with Film in the Anthropocene. Includes studies of classic documentary films as well as feature films.
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Produktdetaljer

ISBN
9783030065690
Publisert
2019-01-19
Utgiver
Vendor
Springer Nature Switzerland AG
Høyde
210 mm
Bredde
148 mm
AldersnivĂĽ
Research, P, 06
SprĂĽk
Product language
Engelsk
Format
Product format
Heftet

Forfatter

Biographical note

Daniel White is Professor Emeritus and founding faculty member of the Wilkes Honors College of Florida Atlantic University.Â