Produktdetaljer
Biographical note
Giorgio Riello is Associate Professor in Global History and Culture at the University of Warwick. He has written extensively on early modern textiles, dress and fashion, and material culture in Europe and Asia. He is the author of A Foot in the Past: Consumers, Producers and Footwear in the Long Eighteenth Century (2006) and has co-edited four volumes including (with Peter McNeil), Shoes: A History from Sandals to Sneakers (2006). Giorgio is currently writing a monograph entitled Global Cotton: Asia and the Making of Europe, 1200-1850
Peter McNeil is Professor of Design History at the University of Technology Sydney and Professor of Fashion Studies at Stockholm University. His anthology Shoes: A History from Sandals to Sneakers (with co-editor Dr G Riello) has been acclaimed by The Observer as ‘an exceptionally beautiful and wide-ranging history of footwear.' His recent publications include Fashion: Critical and Primary Sources from the Renaissance to Today (4 volumes) and the co-edited The Men’s Fashion Reader and Fashion in Fiction.
<p><strong>'Riello and McNeil's new collection of essays represents an immense and impressive project.' </strong><em>- Choice</em></p><p><strong>'anybody interested in learning how fashion grew from its medieval antecedents into its modern manifestations, how and why people invest it with meaning, and how it operates will be well-advised to use this book as a source. An excellent resource for college and university fashion collections.'</strong> <em>- Choice</em></p><p><strong>'Now, the key contributions from nearly every expert in the field are assembled in one fascinating book. This kaleidoscopic and informative volume ranges impressively across conventional boundaries of chronology, geography, and discipline.' – </strong><em>Glenn Adamson, Victoria and Albert Museum, London, UK</em></p><p><strong>'Breaking down barriers, in this book you will discover how fashion has always been a global phenomenon.' </strong><strong>–</strong> <em>Margaretha van den Bosch, Head of Design at H&M</em></p><p><strong>'This book is indispensable for anyone interested in fashion. History has never been more alive than in the pages of this <em>Reader</em>.'</strong> <em>– </em><em>Patrizia Calefato, University of Bari, Italy</em></p><p><strong>'Riello and McNeil's new collection of essays represents an immense and impressive project.'</strong> <em>– R. A. Standish, San Joaquin Delta College, Choice Review</em></p><p><strong>'anybody interested in learning how fashion grew from its medieval antecedents into its modern manifestations, how and why people invest it with meaning, and how it operates will be well-advised to use this book as a source. An excellent resource for college and university fashion collections.' </strong><em>– R. A. Standish, San Joaquin Delta College, Choice Review</em></p>
<p><strong>'Now, the key contributions from nearly every expert in the field are assembled in one fascinating book. This kaleidoscopic and informative volume ranges impressively across conventional boundaries of chronology, geography, and discipline.'<em> – </em></strong><em>Glenn Adamson, Victoria and Albert Museum, London, UK</em></p><p><strong>'Breaking down barriers, in this book you will discover how fashion has always been a global phenomenon.' </strong><em><strong>–</strong> Margaretha van den Bosch, Head of Design at H&M</em></p><p><strong>'This book is indispensable for anyone interested in fashion. History has never been more alive than in the pages of this Reader.'</strong><em> – Patrizia Calefato, University of Bari, Italy</em></p><p><strong>‘This new <i>Reader </i>is innovative in that it introduces a perhaps somewhat neglected area of study in the increasing number of books being published on fashion; it provides a scholarly investigation into fashion history and situates it in both temporal and spatial contexts.’</strong> <em>– Shaun Cole, London College of Fashion</em></p><p>‘<strong>This is an excellent volume which thoroughly earns its place both in the increasing library of fashion-related readers published over recent years and as a work which opens up the debate on fashion history. I would thoroughly recommend it to students, accomplished scholars and any readers interested in the continuing history of fashion.’ </strong><em>– Shaun Cole, London College of Fashion</em></p><p><strong>'..Riello and McNeil prompt readers to rethink the way in which fashion can be understood - through the intersections of history<em> and</em> global culture. Indeed, this goal reflects a contemporary concern shared by fashion scholars and postgraduate students working within the field of Fashion Studies to extend empirical research to include and to develop theoretical models that can account for fashions that have their origins outside of Europe. As a result, whilst charting and exploring fashion history, the <em>Fashion History Reader</em> stands as a historical object in and of itself. That is, the book makes a timely contribution to the scholarly discussion around defining, reflecting upon and expanding the concerns of the field of Fashion Studies.'</strong> <em>Rachel Lifter, Textile History</em></p>
Produktdetaljer
Biographical note
Giorgio Riello is Associate Professor in Global History and Culture at the University of Warwick. He has written extensively on early modern textiles, dress and fashion, and material culture in Europe and Asia. He is the author of A Foot in the Past: Consumers, Producers and Footwear in the Long Eighteenth Century (2006) and has co-edited four volumes including (with Peter McNeil), Shoes: A History from Sandals to Sneakers (2006). Giorgio is currently writing a monograph entitled Global Cotton: Asia and the Making of Europe, 1200-1850
Peter McNeil is Professor of Design History at the University of Technology Sydney and Professor of Fashion Studies at Stockholm University. His anthology Shoes: A History from Sandals to Sneakers (with co-editor Dr G Riello) has been acclaimed by The Observer as ‘an exceptionally beautiful and wide-ranging history of footwear.' His recent publications include Fashion: Critical and Primary Sources from the Renaissance to Today (4 volumes) and the co-edited The Men’s Fashion Reader and Fashion in Fiction.