"The revised edition of Lynn Gamwell's Exploring the Invisible expands both the temporal scope and the geographical range of her original examination of the interaction of art and science. Filled with beautiful color illustrations, Gamwell's book takes readers on a global adventure from the early nineteenth century to the present, introducing both modern and contemporary art as well as complex scientific developments in highly readable prose. No other book provides such an extensive overview of this topic."—Linda Dalrymple Henderson, author of The Fourth Dimension and Non-Euclidean Geometry in Modern Art"This is a moment when artists are not only being inspired by scientific discoveries but are also projecting where those discoveries are taking us. In her encyclopedic book, Exploring the Invisible, Lynn Gamwell has intercepted that moment and shown that art and science go hand in hand. A truly inspirational book for anyone interested in who we are, where we came from, and where we are going."—Lita Albuquerque, artist"I don't know how Lynn Gamwell found so many stunning new art and science images to illustrate her richly enhanced text, images that have never crossed my eyes before, some with an almost otherworldly presence. How did I miss them, whole genres? These compelling images draw you into the text to discover what happens in those other worlds. Gamwell is creating a new genre."—Eric Heller, professor of physics, Harvard UniversityPraise for the previous edition"This pathbreaking study is daring, innovative, and above all, clearly written. I suspect it will be the one book students will be able to consult in order to correlate what are usually considered the almost antagonistic fields of science and art; and I suspect, too, that thanks to its amazingly readable, lucid style, it will find its way into the libraries of post-collegiate readers. Nobody before has dared to tackle this huge topic. Art historians don't know enough about science; scientists don't know enough about art. Miraculously, probably uniquely, Lynn Gamwell seems equally at home in both areas."—Robert Rosenblum, author of Transformations in Late Eighteenth Century Art"Sumptuously illustrated—the illustrations being an active part of the argument—Lynn Gamwell's book is a major contribution. The theme is that of the interactions, reciprocal and often unexpected, between the evolution of abstract, non-objective art and science and technology from the nineteenth century onwards. . . . To this dynamic unison, Gamwell brings an erudite, witty eye."—George Steiner, Times Literary Supplement