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End of Art

Kuspit Donald
Innbundet / 2004 / Engelsk

Produktdetaljer

ISBN
9780521832526
Publisert
2004-01-19
Utgiver
Vendor
Cambridge University Press
Vekt
553 gr
Høyde
237 mm
Bredde
160 mm
Dybde
23 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
224

Forfatter
Kuspit Donald

Biographical note

Donald Kuspit is one of America's most distinguished art critics. Winner of the prestigious Frank Jewett Mather Award for Distinction in Art Criticism, given by the College Art Association, he is a Contributing Editor to Artforum, Sculpture, New Art Examiner, and Tema Celeste magazines, as well as Editor of Art Criticism. Professor of Art History and Philosophy at the State University of New York, Stony Brook, he also holds honorary degrees from Davidson College, the San Francisco Institute of Arts, and the University of Illinois at Urbana-Champaign, and he has been the A. D. White Professor–at-Large at Cornell University. Dr Kuspit has received fellowships from the Ford Foundation, Fulbright Commission, the National Endowment for the Humanities, and the Guggenheim Foundation. He is the author and editor of hundreds of articles and books, most recently The Rebirth of Painting in the Late 20th Century and Psychostrategies of Avant-Garde Art.

End of Art

Kuspit Donald
Innbundet / 2004 / Engelsk
Kuspit Donald
Innbundet / 2004 / Engelsk
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"This is an excellent book for understanding the post-modern art scene and how the next generation of visual artists might proceed."
-Tampa Tribune

"Kuspit's view is persuasive...The End of Art didn't make my mind up for me; rather, it opened up room for debate with artist friends and fellow gallery hoppers about the definition of art, whether it can be judged according to a universal standard and where it's going. It made me more aware of my powers of perception and my power as a perceiver, and encouraged me to seek out art that pleases me, for whatever reason."
-The Nation

In The End of Art, Donald Kuspit argues that art is over because it has lost its aesthetic import. Art has been replaced by 'postart', a term invented by Alan Kaprow, as a new visual category that elevates the banal over the enigmatic, the scatological over the sacred, cleverness over creativity. Tracing the demise of aesthetic experience to the works and theory of Marcel Duchamp and Barnett Newman, Kuspit argues that devaluation is inseparable from the entropic character of modern art, and that anti-aesthetic postmodern art is its final state. In contrast to modern art, which expressed the universal human unconscious, postmodern art degenerates into an expression of narrow ideological interests. In reaction to the emptiness and stagnancy of postart, Kuspit signals the aesthetic and human future that lies with the New Old Masters. The End of Art points the way to the future for the visual arts.
Les mer
1. The changing of the art guard; 2. The aesthetic maligned: Duchamp and Newman; 3. Seminal entropy: the paradox of modern art; 4. The decline of the cult of the unconscious: running on empty; 5. Mirror, mirror of the worldly wall, why is art no longer the truest religion of all?: the god that lost faith in itself; Postscript. Abandoning and rebuilding the studio.
Les mer
In The End of Art, Donald Kuspit argues that art is over because it has lost its aesthetic import.

Relaterte produkter

"This is an excellent book for understanding the post-modern art scene and how the next generation of visual artists might proceed."
-Tampa Tribune

"Kuspit's view is persuasive...The End of Art didn't make my mind up for me; rather, it opened up room for debate with artist friends and fellow gallery hoppers about the definition of art, whether it can be judged according to a universal standard and where it's going. It made me more aware of my powers of perception and my power as a perceiver, and encouraged me to seek out art that pleases me, for whatever reason."
-The Nation

In The End of Art, Donald Kuspit argues that art is over because it has lost its aesthetic import. Art has been replaced by 'postart', a term invented by Alan Kaprow, as a new visual category that elevates the banal over the enigmatic, the scatological over the sacred, cleverness over creativity. Tracing the demise of aesthetic experience to the works and theory of Marcel Duchamp and Barnett Newman, Kuspit argues that devaluation is inseparable from the entropic character of modern art, and that anti-aesthetic postmodern art is its final state. In contrast to modern art, which expressed the universal human unconscious, postmodern art degenerates into an expression of narrow ideological interests. In reaction to the emptiness and stagnancy of postart, Kuspit signals the aesthetic and human future that lies with the New Old Masters. The End of Art points the way to the future for the visual arts.
Les mer
1. The changing of the art guard; 2. The aesthetic maligned: Duchamp and Newman; 3. Seminal entropy: the paradox of modern art; 4. The decline of the cult of the unconscious: running on empty; 5. Mirror, mirror of the worldly wall, why is art no longer the truest religion of all?: the god that lost faith in itself; Postscript. Abandoning and rebuilding the studio.
Les mer
In The End of Art, Donald Kuspit argues that art is over because it has lost its aesthetic import.

Produktdetaljer

ISBN
9780521832526
Publisert
2004-01-19
Utgiver
Vendor
Cambridge University Press
Vekt
553 gr
Høyde
237 mm
Bredde
160 mm
Dybde
23 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
224

Forfatter
Kuspit Donald

Biographical note

Donald Kuspit is one of America's most distinguished art critics. Winner of the prestigious Frank Jewett Mather Award for Distinction in Art Criticism, given by the College Art Association, he is a Contributing Editor to Artforum, Sculpture, New Art Examiner, and Tema Celeste magazines, as well as Editor of Art Criticism. Professor of Art History and Philosophy at the State University of New York, Stony Brook, he also holds honorary degrees from Davidson College, the San Francisco Institute of Arts, and the University of Illinois at Urbana-Champaign, and he has been the A. D. White Professor–at-Large at Cornell University. Dr Kuspit has received fellowships from the Ford Foundation, Fulbright Commission, the National Endowment for the Humanities, and the Guggenheim Foundation. He is the author and editor of hundreds of articles and books, most recently The Rebirth of Painting in the Late 20th Century and Psychostrategies of Avant-Garde Art.

Relaterte produkter