"For an understanding of the impact and consequences of digital visual effects in the movies, this book is essential. Prince knows his stuff, and his perspective is wise and compelling."
- Carl Plantinga, author of Moving Viewers: American Film and the Spectator's Experience
"Whereas many books have debated the merits of digital effects in cinema, few of them truly explore the many layers of cinematic experience that are made possible by all kinds of technology. <i>Digital Visual Effects in Cinema</i> is one of the exceptions to this trend in that Prince examines the various levels at which digital effects can be integrated into a film, giving a rich understanding of the range of possibilities and their implications for the production and consumption of a film. An eyjoyable, informative read. Highly recommended."<br />
Choice
"For an understanding of the impact and consequences of digital visual effects in the movies, this book is essential. Prince knows his stuff, and his perspective is wise and compelling."
- Carl Plantinga, author of Moving Viewers: American Film and the Spectator's Experience
"Whereas many books have debated the merits of digital effects in cinema, few of them truly explore the many layers of cinematic experience that are made possible by all kinds of technology. <i>Digital Visual Effects in Cinema</i> is one of the exceptions to this trend in that Prince examines the various levels at which digital effects can be integrated into a film, giving a rich understanding of the range of possibilities and their implications for the production and consumption of a film. An eyjoyable, informative read. Highly recommended."<br />
Choice
Produktdetaljer
Biographical note
STEPHEN PRINCE is a professor at Virginia Tech. He has written or edited numerous books, including Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 1930–1968; The Horror Film; and American Cinema of the 1980s: Themes and Variations, all published by Rutgers University Press.