The Culture of Photography in Public Space
Produktdetaljer
Biographical note
Anne Marsh is a professional research fellow at the Victorian College of the Arts, University of Melbourne.
Melissa Miles is an Australian Research Council Future Fellow and photography historian.
Daniel Palmer is a writer and Senior Lecturer in the Art Theory Program in the Faculty of Art, Design & Architecture at Monash University. He has a long-standing involvement with the Centre for Contemporary Photography in Melbourne, as a former curator and current board member. His publications include the books Twelve Australian Photo Artists (2009), co-authored with Blair French, and the edited volume Photogenic: Essays/Photography/CCP 2000–2004 (2005). His scholarly writings on photography have appeared in journals such as Photographies, Philosophy of Photography, Angelaki and Reading Room, and he regularly contributes to art magazines including Art & Australia and Frieze. His current research focuses upon the digital image and collaboration in photography.
From privacy concerns regarding Google Street View to surveillance photography’s association with terrorism and sexual predators, photography as an art has become complex terrain upon which anxieties about public space have been played out. Yet the photographic threat is not limited to the image alone. A range of social, technological and political issues converge in these rising anxieties and affect the practice, circulation, and consumption of contemporary public photography today. The Culture of Photography in Public Space collects essays and photographs that offer a new response to these restrictions, the events and the anxieties that give rise to them.
A range of social, technological, and political issues converge in the rising anxieties and affect the practice, circulation, and consumption of public photography today. The Culture of Photography in Public Space collects essays and photographs that offer a new response to these restrictions, the events, and the anxieties that give rise to them.
Introduction – Melissa Miles
Chapter 1
Standing on Shifting Ground: Privacy and Photography in Public – Melissa Miles
Chapter 2
Tilt – Simon Terrill
Chapter 3
'No Credible Photographic Interest': Photography Restrictions and Surveillance in a Time of Terror – Daniel Palmer and Jessica Whyte
Chapter 4
Street View/Interface – Michael Wolf
Chapter 5
Bill Henson and the Polemics of the Nude Child in Photography – Alexandra Heller-Nicholas and Anne Marsh
Chapter 6
The Sleepers and Trafalgar Square – Cherine Fahd
Chapter 7
Criminalizing 'Camera Fiends': Photography Restrictions in the Age of Digital Reproduction – Jessica Whyte
Chapter 8
In the Event of Amnesia the City will Recall – Denis Beaubois
Chapter 9
The Face in Digital Space – Martyn Jolly
Chapter 10
From Sixteen Google Street Views – Jon Rafman
Chapter 11
Google Street View and Photography in Public Space – Daniel Palmer
Further Reading
Produktdetaljer
Biographical note
Anne Marsh is a professional research fellow at the Victorian College of the Arts, University of Melbourne.
Melissa Miles is an Australian Research Council Future Fellow and photography historian.
Daniel Palmer is a writer and Senior Lecturer in the Art Theory Program in the Faculty of Art, Design & Architecture at Monash University. He has a long-standing involvement with the Centre for Contemporary Photography in Melbourne, as a former curator and current board member. His publications include the books Twelve Australian Photo Artists (2009), co-authored with Blair French, and the edited volume Photogenic: Essays/Photography/CCP 2000–2004 (2005). His scholarly writings on photography have appeared in journals such as Photographies, Philosophy of Photography, Angelaki and Reading Room, and he regularly contributes to art magazines including Art & Australia and Frieze. His current research focuses upon the digital image and collaboration in photography.