Chapter 1 Michel de Certeau, The practice of everyday life, Jeremy Ahearne; Chapter 2 Janet Minihan, The nationalization of culture: the development of state subsidies to the arts in Great Britain, Eleonora Belfiore; Chapter 3 James Buchan, Capital of the mind: how Edinburgh changed the world, Peter Bendixen; Chapter 4 Raymond Williams, Culture and society 1780–1950, Oliver Bennett; Chapter 5 Fred R. Myers, Painting culture: the making of an Aboriginal high art, Tony Bennett; Chapter 6 Peter Hall, Cities in civilization, Franco Bianchini; Chapter 7 Charles Dickens, Hard times: for these times, Chris Bilton; Chapter 8 Milton C. Cummings and Richard S. Katz (eds), The patron state: government and the arts in Europe, North America, and Japan, Jennifer Craik; Chapter 9 Joseph A. Schumpeter, Capitalism, socialism, and democracy, Stuart Cunningham; Chapter 10 Michel de Certeau, Culture in the plural, Milena Dragi?evi? Šeši?; Chapter 11 Jürgen Habermas, The structural transformation of the public sphere: an inquiry into a category of bourgeois society, Peter Duelund; Chapter 12 Tony Bennett, Culture: a reformer’s science, Lisanne Gibson; Chapter 13 Anthony Storr, The dynamics of creation, Christopher Gordon; Chapter 14 Hugh Jenkins, The culture gap: an experience of government and the arts, Clive Gray; Chapter 15 Russell Keat, Cultural goods and the limits of the market, David Hesmondhalgh; Chapter 16 W. McNeil Lowry, The performing arts and American society, Stanley N. Katz; Chapter 17 Howard Becker, Art worlds, Nobuko Kawashima; Chapter 18 Laurie Ouellette, Viewers like you? How public TV failed the people, Justin Lewis; Chapter 19 Joffre Dumazedier, Toward a society of leisure, David Looseley; Chapter 20 Ernst Kris and Otto Kurz, Legend, myth, and magic in the image of the artist: a historical experiment, Per Mangset; Chapter 21 Naomi Klein, No logo: taking aim at the brand bullies, Jim McGuigan; Chapter 22 Antonio Gramsci, Prison notebooks, Paola Merli; Chapter 23 Michel Foucault, The birth of biopolitics: lectures at the Collège de France, 1978–79, Toby Miller; Chapter 24 James Heartfield, The death of the subject explained, Munira Mirza; Chapter 25 Milton C. Cummings, Jr. and Richard S. Katz (eds), The patron state: government and the arts in Europe, North America and Japan, Kevin V. Mulcahy; Chapter 26 Pierre Bourdieu, Distinction: a social critique of the judgement of taste, Graham Murdock; Chapter 27 Simon Frith, Sound effects: youth, leisure and the politics of rock ‘n’ roll, Andy C. Pratt; Chapter 28 Pierre Bourdieu, The field of cultural production: essays on art and literature, Sigrid Røyseng; Chapter 29 Alan Peacock, Paying the piper: culture, music and money, Michael Rushton; Chapter 30 Quintin Hoare and Geoffrey Nowell Smith (eds), Selections from the prison notebooks of Antonio Gramsci, Philip Schlesinger; Chapter 31 John Myerscough, The economic importance of the arts in Britain, Sara Selwood; Chapter 32 Pierre Bourdieu, Alain Darbel and Dominique Schnapper, The love of art: European art museums and their public, Dorte Skot-Hansen; Chapter 33 Rosemary Coombe, The cultural life of intellectual properties: authorship, appropriation, and the law, Joost Smiers; Chapter 34 Jim McGuigan, Rethinking cultural policy, Alan Stanbridge; Chapter 35 Geoff Mulgan and Ken Worpole, Saturday night or Sunday morning? From arts to industry: new forms of cultural policy, Deborah Stevenson; Chapter 36 Richard A. Etlin, In defense of humanism: value in the arts and letters, David Throsby; Chapter 37 Erika Fischer-Lichte, History of European drama and theatre, Hans van Maanen; Chapter 38 Pierre Bourdieu, La distinction: critique sociale du jugement, Geir Vestheim; Chapter 39 Raymond Williams, The long revolution, Michael Volkerling; Chapter 40 Denise Meredyth and Jeffery Minsion (eds), Citizenship andcultural policy, Li-Jung Wang; Chapter 41 Néstor García Canclini, Consumers and citizens: globalization and multicultural conflicts, George Yúdice;