VOLUME 1: A CULTURAL HISTORY OF COLOR IN ANTIQUITY Edited by David Wharton, University of North Carolina at Greensboro, USA1. Philosophy and Science, Katerina Ierodiakonou2. Technology and Trade, Hilary Becker3. Power and Identity, Kelly Olson and David Wharton4. Religion and Ritual, Verity Platt5. Body and Clothing, Lloyd Llewellyn-Jones6. Language and Psychology, Katherine McDonald7. Literature and the Performing Arts, Karen Bassi and David Wharton8. Art, Mark Abbe9. Architecture and Interiors, Stephan Zink10. Artefacts, Ellen SwiftVOLUME 2: A CULTURAL HISTORY OF COLOR IN THE MEDIEVAL AGE Edited by Carole Biggam, University of Glasgow, UK, & Kirsten Wolf, University of Wisconsin-Madison, USA1. Philosophy and Science, A. Mark Smith2. Technology and Trade, Jo Kirby3. Power and Identity, Wim Blockmans4. Religion and Ritual, Andreas Petzold5. Body and Clothing, Gale R. Owen-Crocker6. Language and Psychology, Carole P. Biggam, Roman Krivko, Piera Molinelli, and Kirsten Wolf7. Literature and the Performing Arts, Mark Cruse8. Art, Thomas Dale9. Architecture and Interiors, Eva Oledzka10. Artefacts, Leslie WebsterVOLUME 3: A CULTURAL HISTORY OF COLOR IN THE RENAISSANCE Edited by Sven Dupré, Utrecht University, The Netherlands, & Amy Buono, Rio De Janeiro State University, Brazil 1. Philosophy and Science, Tawrin Baker2. Technology and Trade, Jo Kirby 3. Power and Identity, Peter C. Mancall4. Religion and Ritual, Lisa Pon5. Body and Clothing, Carole Frick6. Language and Psychology, Doris Oltrogge7. Literature and the Performing Arts, Bruce R. Smith8. Art, Marcia Hall9. Architecture and Interiors, Cammy Brothers10. Artefacts, Leah R. ClarkVOLUME 4: A CULTURAL HISTORY OF COLOR IN THE AGE OF ENLIGHTENMENT Edited by Carole Biggam, University of Glasgow, UK, & Kirsten Wolf, University of Wisconsin-Madison, USA1. Philosophy and Science, Anna Marie Roos2. Technology and Trade, Alexander Engel3. Power and Identity, Monika Barget4. Religion and Ritual, Felicity Loughlin5. Body and Clothing, Mechthild Fend and Amelia Rauser6. Language and Psychology, João Paulo Silvestre7. Literature and the Performing Arts, Timothy Campbell8. Art, Karin Leonhard9. Architecture and Interiors, Basile Baudez10. Artefacts, Clive EdwardsVOLUME 5: A CULTURAL HISTORY OF COLOR IN THE AGE OF INDUSTRY Edited by Alexandra Loske, University Of Sussex, UK1. Philosophy and Science, Georges Roque2. Technology and Trade, Laura Anne Kalba3. Power and Identity, Dominique Grisard4. Religion and Ritual, Charlotte Ribeyrol5. Body and Clothing, Charlotte C. Nicklas6. Language and Psychology, Nicholas Gaskill7. Literature and the Performing Arts, Margrit Vogt8. Art, Joyce H. Townsend9. Architecture and Interiors, Megan Aldrich10. Artefacts, Kelly F. WrightVOLUME 6: A CULTURAL HISTORY OF COLOR IN THE MODERN AGE Edited by Sarah Street, University of Bristol, UK, & Anders Steinvall, Umeå University, Sweden1. Color Philosophy and Science, Jacob Browning and Zed Adams2. Color Technology and Trade, Stephen Westland and Qianqian Pan3. Power and Identity, Zena O’Connor4. Religion and Ritual: The Modern Religio-colorscape, Urmila Mohan5. Body and Clothing, Tracy Cassidy6. Language and Psychology, Galina V. Paramei and David L. Bimler7. Literature and the Performing Arts, Nicholas Gaskill, Sarah Street, & Joshua Yumibe8. Art, Judith Mottram9. Architecture and Interiors, Juan Serra10. Artefacts, Kelly F. Wright

The Cultural Histories are multi-volume sets that survey the social and cultural construction of specific subjects across six historical periods, broadly: - Antiquity- The Medieval Age- The Renaissance- The Age of Enlightenment- The Age of Empire- The Modern AgeThe subjects covered range from Animals to Dress and Fashion, from Sport to Furniture, from Money to Fairy Tales. Each volume discusses the same themes in its chapters so that readers may gain an understanding of a period by reading an entire volume, or follow a theme through history by reading the relevant chapter in each volume. Each six-volume set is illustrated. Titles are available as printed sets for libraries needing just one subject or preferring a one-off purchase and tangible reference for their shelves, or as part of a fully searchable digital library available to institutions by annual subscription or perpetual access (see www.bloomsburyculturalhistory.com).PRAISE FOR THE SERIESA Cultural History of Dress and Fashion“Intriguing, surprising, and thought-provoking essays covering many cultural layers of dress history.”CHOICEA Cultural History of Fairy Tales“A comprehensive treatise that belongs in every academic library concerned with a form of literature that has had broad appeal for centuries and continues to do so.”CHOICEA Cultural History of Hair“A thick, tangled and deliciously idiosyncratic history of hair.”Times Literary SupplementA Cultural History of Law“These introductions should be of great use to scholars from across the periods.”Law & LiteratureA Cultural History of Peace“The set is a good introduction to the study of peace and encourages looking at world history in a new way.”CHOICEA Cultural History of Theatre“All six volumes are aesthetically attractive, with well-chosen cover illustrations in color and numerous halftones throughout. Page layouts with wide margins, good paper, subtitles, generous bibliographies, notes, and index all add to the appeal.”CHOICEA Cultural History of Tragedy“A highly contemporary work, alert to politics, social theory and sexuality.”London Review of BooksA Cultural History of Western Empires“Students seeking a comparative, interdisciplinary, and compelling account of the spread of Western empires will find much of interest here.”CHOICEA Cultural History of Work“[Programs] such as economics, American and world history, women’s studies, and art history will benefit from the information herein.”American Reference Books Annual