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Craft and Design Practice from an Embodied Perspective

Nimkulrat Nithikul Groth, Camilla
Innbundet / 2024 / Engelsk

Produktdetaljer

ISBN
9781032356815
Publisert
2024-07-30
Utgiver
Vendor
Routledge
Vekt
600 gr
Høyde
246 mm
Bredde
174 mm
AldersnivĂĽ
U, 05
SprĂĽk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
222

Redaktør
Nimkulrat Nithikul
Groth, Camilla

Biographical note

Nithikul Nimkulrat is Associate Professor at OCAD University, Canada.

Camilla Groth is Associate Professor at University of South-Eastern Norway, Norway.

Craft and Design Practice from an Embodied Perspective

Nimkulrat Nithikul Groth, Camilla
Innbundet / 2024 / Engelsk
Nimkulrat Nithikul Groth, Camilla
Innbundet / 2024 / Engelsk
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<p>“This splendid collection advances our understanding of embodied cognition and experiential knowledge in craftwork and sets the pace for future theory. Its multidisciplinary cast of authors deliver unique insights into human–material interactions, skilled situated practice and the dynamics of thinking through making – both in traditional crafts and the emerging digital and virtual realms.”</p><p><b>Trevor H. J. Marchand</b>, SOAS, University of London</p><p>“This book shines a light on the nature and value of embodied experiences within the spheres of making and materiality. The various chapters bring ideas around becoming, feeling, well-being, interconnection and relationality to the fore, which are all critical aspects of craft and design practices that seek to counter dominate modes of production and affect positive change. I would recommend this book to those who wish to establish, understand, and champion such practice.”</p><p><b>Faith Kane</b>, Toi Rauwhārangi College of Creative Arts, Massey University</p>

This book brings together contributors from multiple disciplines, such as crafts, design, art education, cognitive philosophy, and sociology, to discuss craft and design practice from an embodied perspective.Through theoretical overviews of embodied cognition and research-based cases that involve the researchers’ making experiences, different phenomena of human‑material interaction are presented, analysed, and discussed. The practical cases exemplify ways in which embodied notions show up in action. Contributors examine topics such as the embodied basis of craft activities and material manipulation, experiential knowledge and skill learning, reflection in and on action, and material dialogues. Several chapters specifically discuss the hybrid forms of analogue and digital crafting that increasingly takes place in the field of crafts and design, and the changed notions of material engagement that this entails.The book will appeal to scholars of crafts, design, art education, anthropology, and sociology.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Les mer
This book brings together contributors from multiple disciplines, such as crafts, design, art education, cognitive philosophy, and sociology, to discuss craft and design practice from an embodied perspective.
Les mer
Preface Introduction SECTION I: CRAFT AS EMBODIED MAKING AND LEARNING 1. Dynamic affordances in human-material “dialogues” 2. Craft Thinking: A relational approach to making and design 3. Becoming with glass: Medium and materiality in embodied knowledge 4. Feeling how: MET and embodied cognition in the learning of pottery skills 5. Embodied craft practices: Mindful flow, creativity, and collaboration as drivers for wellbeing SECTION II: MATERIALITY OF MATERIALS AND NON-MATERIALS IN CRAFT 6. Embodied knowledge integrated into robotic wire cutting of clay 7. Making, playing, crafting – Connecting embodied practices in play, game design, and hybrid making 8. Hand thought: Hybrid practices and a digital craft ethos 9. Grasping materiality – Digitalization in light of educational arts and crafts practice SECTION III: ARTEFACTS AS MATERIAL EXTENSIONS OF CRAFT EXPERIENCE 10. Traces of craft experience in artefacts 11. Scaffolding visualization and mental rotation in designing and crafting 12. Making bumps and jumping hurdles: Understanding resistance in the processes of raising aluminium from a novice’s perspective 13. Making sense with things in participatory design 14. Interactive connected smart (ICS) materials experience: Collaborative embodied knowledge through material tinkering Afterword
Les mer

Relaterte produkter

<p>“This splendid collection advances our understanding of embodied cognition and experiential knowledge in craftwork and sets the pace for future theory. Its multidisciplinary cast of authors deliver unique insights into human–material interactions, skilled situated practice and the dynamics of thinking through making – both in traditional crafts and the emerging digital and virtual realms.”</p><p><b>Trevor H. J. Marchand</b>, SOAS, University of London</p><p>“This book shines a light on the nature and value of embodied experiences within the spheres of making and materiality. The various chapters bring ideas around becoming, feeling, well-being, interconnection and relationality to the fore, which are all critical aspects of craft and design practices that seek to counter dominate modes of production and affect positive change. I would recommend this book to those who wish to establish, understand, and champion such practice.”</p><p><b>Faith Kane</b>, Toi Rauwhārangi College of Creative Arts, Massey University</p>

This book brings together contributors from multiple disciplines, such as crafts, design, art education, cognitive philosophy, and sociology, to discuss craft and design practice from an embodied perspective.Through theoretical overviews of embodied cognition and research-based cases that involve the researchers’ making experiences, different phenomena of human‑material interaction are presented, analysed, and discussed. The practical cases exemplify ways in which embodied notions show up in action. Contributors examine topics such as the embodied basis of craft activities and material manipulation, experiential knowledge and skill learning, reflection in and on action, and material dialogues. Several chapters specifically discuss the hybrid forms of analogue and digital crafting that increasingly takes place in the field of crafts and design, and the changed notions of material engagement that this entails.The book will appeal to scholars of crafts, design, art education, anthropology, and sociology.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Les mer
This book brings together contributors from multiple disciplines, such as crafts, design, art education, cognitive philosophy, and sociology, to discuss craft and design practice from an embodied perspective.
Les mer
Preface Introduction SECTION I: CRAFT AS EMBODIED MAKING AND LEARNING 1. Dynamic affordances in human-material “dialogues” 2. Craft Thinking: A relational approach to making and design 3. Becoming with glass: Medium and materiality in embodied knowledge 4. Feeling how: MET and embodied cognition in the learning of pottery skills 5. Embodied craft practices: Mindful flow, creativity, and collaboration as drivers for wellbeing SECTION II: MATERIALITY OF MATERIALS AND NON-MATERIALS IN CRAFT 6. Embodied knowledge integrated into robotic wire cutting of clay 7. Making, playing, crafting – Connecting embodied practices in play, game design, and hybrid making 8. Hand thought: Hybrid practices and a digital craft ethos 9. Grasping materiality – Digitalization in light of educational arts and crafts practice SECTION III: ARTEFACTS AS MATERIAL EXTENSIONS OF CRAFT EXPERIENCE 10. Traces of craft experience in artefacts 11. Scaffolding visualization and mental rotation in designing and crafting 12. Making bumps and jumping hurdles: Understanding resistance in the processes of raising aluminium from a novice’s perspective 13. Making sense with things in participatory design 14. Interactive connected smart (ICS) materials experience: Collaborative embodied knowledge through material tinkering Afterword
Les mer

Produktdetaljer

ISBN
9781032356815
Publisert
2024-07-30
Utgiver
Vendor
Routledge
Vekt
600 gr
Høyde
246 mm
Bredde
174 mm
AldersnivĂĽ
U, 05
SprĂĽk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
222

Redaktør
Nimkulrat Nithikul
Groth, Camilla

Biographical note

Nithikul Nimkulrat is Associate Professor at OCAD University, Canada.

Camilla Groth is Associate Professor at University of South-Eastern Norway, Norway.

Relaterte produkter