<p>'This excellent collection of essays examines conversion at a time in which religious and theological uncertainties led to the reconfiguration of early modern European national identities. Ranging across regions and cities, from London to Venice, the essays also focus on issues of gender, hybridity and literary conventions. This book is an important addition to the growing body of scholarship on the study of the history of religion in Western Europe.'<br />Nabil Matar, University of Minnesota<br /><br />'This stimulating collection yields new insights into the fluid, unstable and creative relationship between gender and conversion in early modern Europe. Approaching the subject from a range of perspectives, it comprises a series of probing investigations of the nexus between religious subjectivity and gender identity against the backdrop of the Catholic and Protestant Reformations. A model of interdisciplinary dialogue and collaboration, it demonstrates compellingly how language, literature and culture reflected and shaped individual experiences of spiritual change.'<br /> Alexandra Walsham, University of Cambridge<br /><br />‘Offers an engrossing gallery of new work that makes a compelling case for embracing methodologically diverse approaches to the interface of gender and religious conversion in early modernity.’<br /><i>Professor Lowell Gallagher, Studies in English Literature</i></p>

- .,

Conversions is the first collection to explicitly address the intersections between sexed identity and religious change in the two centuries following the Reformation. Chapters deal with topics as diverse as convent architecture and missionary enterprise, the replicability of print and the representation of race. Bringing together leading scholars of literature, history and art history, Conversions offers new insights into the varied experiences of, and responses to, conversion across and beyond Europe. A lively Afterword by Professor Matthew Dimmock (University of Sussex) drives home the contemporary urgency of these themes and the lasting legacies of the Reformations.
Les mer
A timely and coherent collection on conversion studies of the Early Modern period, considering themes of conversion, materiality, embodiment and early modern spaces across and beyond Europe.
Notes on contributorsIntroduction – Simon Ditchfield and Helen SmithPart I: Gendering conversion1 To piety or conversion more prone? Gender and conversionin the early modern Mediterranean – Eric Dursteler2 The quiet conversion of a ‘Jewish’ woman in eighteenthcenturySpain – David Graizbord3 ‘A father to the soul and a son to the body’: gender andgeneration in Robert Southwell’s Epistle to his father –Hannah Crawforth4 Gender and reproduction in the Spirituall experiences –Abigail ShinnPart II: Material conversions5 ‘The needle may convert more than the pen’: womenand the work of conversion in early modern England –Claire Canavan and Helen Smith6 Uneven conversions: how did laywomen become nuns in theearly modern world?– Elizabeth A. Lehfeldt7 Domus humilis: the conversion of Venetian conventarchitecture and identity – Saundra Weddle 8 Converting the soundscape of women’s rituals, 1470–1560:purification, candles, and the Inviolata as music forchurching – Jane D. HatterPart III: Travel, race, and conversion9 Narrating women’s Catholic conversions in seventeenthcenturyVietnam – Keith P. Luria 10 ‘I wish to be no other but as he’: Persia, masculinity, andconversion in early seventeenth-century travel writing anddrama – Chloë Houston11 Turning tricks: erotic commodification, cross-culturalconversion, and the bed-trick on the English stage,1580–1630 – Daniel Vitkus12 Whatever happened to Dinah the Black? And other questionsabout gender, race, and the visibility of Protestant saints –Kathleen LynchAfterword – Matthew Dimmock
Les mer
In early modern Europe, pressure from the Protestant and Catholic Reformations, the growing might of the Ottoman Empire, and New World encounters meant that an unprecedented number of people were confronted by new beliefs and changing religious identities. Conversions brings together leading scholars from across the disciplines of literature, history, art and architectural history to investigate the interlinked transformations of gender and religious identity in this turbulent period. A lively Afterword by Professor Matthew Dimmock (University of Sussex) drives home the lasting legacy of the Reformations and the contemporary urgency of the collected chapters.
Les mer
'This excellent collection of essays examines conversion at a time in which religious and theological uncertainties led to the reconfiguration of early modern European national identities. Ranging across regions and cities, from London to Venice, the essays also focus on issues of gender, hybridity and literary conventions. This book is an important addition to the growing body of scholarship on the study of the history of religion in Western Europe.'Nabil Matar, University of Minnesota'This stimulating collection yields new insights into the fluid, unstable and creative relationship between gender and conversion in early modern Europe. Approaching the subject from a range of perspectives, it comprises a series of probing investigations of the nexus between religious subjectivity and gender identity against the backdrop of the Catholic and Protestant Reformations. A model of interdisciplinary dialogue and collaboration, it demonstrates compellingly how language, literature and culture reflected and shaped individual experiences of spiritual change.' Alexandra Walsham, University of Cambridge‘Offers an engrossing gallery of new work that makes a compelling case for embracing methodologically diverse approaches to the interface of gender and religious conversion in early modernity.’Professor Lowell Gallagher, Studies in English Literature
Les mer

Produktdetaljer

ISBN
9781526143556
Publisert
2019-09-04
Utgiver
Vendor
Manchester University Press
Vekt
413 gr
Høyde
216 mm
Bredde
138 mm
Dybde
19 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
352

Biographical note

Simon Ditchfield is Professor of Early Modern History and Director of the Centre for Renaissance and Early Modern Studies at the University of York

Helen Smith is Professor of Renaissance Literature and Head of the Department of English & Related Literature at the University of York