The word doyennes signifies the various expressions of female, feminine, and feminist aspects of contemporary literature in India, through multiple theoretical frameworks. Contemporary Women’s Writing in India is an edited collection dealing with a range of these issues set in the society of Indian culture. Indian women’s literature is still a fertile ground for critical enquiry. There are three sections in the collection: Section I deals with specific instances in history, historical constructions, and representations of gender. Section II offers a varied spectrum of feminist critical discourse on contemporary Indian women’s writing, intersecting with the frameworks of post-colonial theory, deconstruction, perspectives on race and ethnicity, and eco-feminism. Section III touches upon the notion of the woman’s body and psyche through the varied perspectives of psychoanalysis, feminism, and post-feminism. By thoroughly exploring a range of issues, Contemporary Women’s Writing promises to take the reader by the hand, and journey through the unfamiliar but refreshing landscape of women’s literature in India.
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Contemporary Women's Writing in India offers refreshing and comprehensive literary voices that address a broad range of issues in contemporary women’s writing in India.
Contents: Acknowledgments Introduction Varun Gulati and Mythili Anoop Section I Ch 01 Herstory: Nayantara Sahgal’s Prison and Chocolate Rachel Bari Ch 02 Producing Nation: Gender and the Idea of India Etienne Rassendren Ch 03 Where is ‘home’? A Study of Taslima Nasreen’s Homecoming and Asif Currombhoy’s The Refugee Anju Jagpal Ch 04 Scar(r)ed Women: Reading Fictional Representations of Women Afflicted by Insurgent Conflict Mukuta Borah Ch 05 Caught in the Crossfire of History: Social Reality of Post-colonial India in Anita Desai’s Clear Light of Day Pramod Kumar Das and Narayan Jena Section II Ch 06 Assertion of ‘Self’: A Feminist Discourse in Manju Kapur’s Difficult Daughters and A Married Woman Sutapa Biswas Ch 07 Deconstructing the Stereotypes: A study of Jhuma Lahiri’s “Unaccustomed Earth” and Ismat Chugtai’s “The Quilt” Gauri Mandapaka Ch08 The Alienated Self: Ashima in Jhumpa Lahiri’s The Namesake Shyamkiran Kaur, Rajinder K. Sen, and Poonam Pahuja Ch 09 Between Silence and Scream: A Study of Violence against Women in Manjula Padmanabhan’s Lights Out Bhavesh Kumar and Anand Mahanand Ch 10 Negotiating with Pluralities: Race, Gender, and Ethnicity in the Writings of Shani Mootoo Neetu Devi and Ashutosh Singh Ch 11 Identity Crises in Namita Gokhle’s Paro: Dreams of Passion Shalini Vohra, Mudita Agnihotri, and Meenakshi Sain Section III Ch 12 Psychoanalytical Study of the Selective Characters of Ladies Coupe Anjali Verma, Prerna Jatav Ch 13 Mahari Then and Now: Queering Performativity in Odissi Kaustavi Sarkar Ch 14 Sarah Aboobackar’s Sahana: A Saga of Mute Body Ambika G. Mallya and Shashikantha Koudur Ch 15 Chitra Banerjee Divakaruni’s The Palace of Illusions: An Écriture Féminine Sarannya V Pillai Index About the Contributors
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Contemporary Indian Women’s Writing surveys numerous English and non- English works by Indian women writers from fresh comparative perspectives, and in light of largely feminist approaches that, in some cases, also admirably challenge Western feminist habits of mind. To those unfamiliar with Indian women’s literature, this collection will serve as a helpful introduction to canonical authors, and to regions such as Orissa and Bengal that generally get short shrift in literary surveys.
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Produktdetaljer

ISBN
9781498502108
Publisert
2014-12-24
Utgiver
Vendor
Lexington Books
Vekt
445 gr
Høyde
232 mm
Bredde
165 mm
Dybde
20 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
206

Biographical note

Mythili Anoop teaches at Gandhi Institute of Technology and Management University. Varun Gulati has taught English literature and language for ten years in colleges and universities across India.