Produktdetaljer
Biographical note
Kevin Quashie is Professor of English at Brown University and the author of The Sovereignty of Quiet: Beyond Resistance in Black Culture and Black Women, Identity, and Cultural Theory: (Un)Becoming the Subject.“Black studies is a spiritual discipline, one devoted to that dispersed and disseminated gathering of a nonexclusionary black world. Kevin Quashie has helped me think about this and has given me intellectual and theoretical tools and language for this. <i>Black Aliveness</i> is one of the most intellectually stimulating, illuminating, and spiritually moving books I’ve read in a very long time. Its impact will be immediate.”
- J. Kameron Carter, author of, Race: A Theological Account
“Decentering the focus on ‘social death’ in current black studies, <i>Black Aliveness</i> is the first book to push us to the next step when we start with the feeling of aliveness rather than with black death as a way of understanding black life. There is magical thinking and writing in this paradigm-shifting book.”
- Margo Natalie Crawford, author of, Black Post-Blackness: The Black Arts Movement and Twenty-First-Century Aesthetics
"I found great relief in Quashie's formulation of the concept of 'oneness,' which he insists is 'not akin to individualism.'… Quashie's book has shifted decades of denial, distancing, and suppression for me, not by rescuing the <i>I</i>, but by giving me <i>one</i>, the becoming, the relational.… In dealing with my ontological anxieties, I have dreamed of dissolution, a release into the elements of the universe of which we are all made. But even if we mingle with the stars we are still left with particles and forms of relation between these particles. What an aha! moment for me, reading Quashie…. How freeing and wonderful. To relate, to mingle, is not a dissolve, but a proliferation."
- Jayna Brown, Critical Inquiry
"This deeply poetic, rich book may be paradigm shifting. Highly recommended. Lower-division undergraduates through faculty; general readers."
- J. A. Kegley, Choice
"Kevin Quashie's book provides a blueprint for alternative methods of reading and studying Black life, Black worldmaking, and Black relationality."
- Daisy Guzman, E3W Review of Books
"Quashie's efforts are triumphant. . . . This work and its tender attention to that which constitutes humanity within these texts of aliveness would retain its magic regardless of the world, 'the episteme,' in which one finds it."
- Erin Tatz, Theory & Event
"One of the most significant contributions of the book as a whole is the quiet but insistent contention that poetry and poetics can do the work of social analysis. It is here, in Quashie’s attention to aesthetic choices and form, that we appreciate the value of Black Aliveness. . . . Quashie has written a field-shifting book that centers aesthetic paths to life in place of restraint in its treatment of Black being."
- Gershun Avilez, Genre
"Quashie’s <i>Black Aliveness</i> is not a blueprint or a definitive answer to his opening question. Rather, the book is more like a gesture and an invitation; it offers a path for studying Black life and world-making through aesthetics. Throughout, Quashie’s prose emulates the beauty, splendor, and energy of the writings that constitute the matrix for his reflections. The reader will appreciate how the author frequently pauses to consider the grandeur of an essay or the rhythm of a poem. Students of Black literature and aesthetics should also praise Quashie’s practice of sitting with Black texts as primary sources for critical thought and ethics."<br />
- Joseph Winters, American Literary History
"<i>Black Aliveness</i> is an important intervention in a conversation that has come to dominate black studies in recent years, under a variety of different names: the question of the human, black ontology, the(im)possibility of black subjectivity, and afropessimism. . . . Quashie’s book offers a loving response to and reorientation of a field that has come to read blackness as synonymous with death, and antiblackness as constitutive of black life."
- Jennifer C. Nash, Cultural Critique