<p>“The anthology’s contributors are an elite group of illuminati, educated and employed at the best schools and representing a particular wisdom of the present age ‘to dislodge and reconfigure the long-standing constraints imposed by an understanding of the body as always human and of the human body as merely male and female.’” —<i>Choice</i></p>
<p>“This fascinating, timely book brings together eight essays by medievalist scholars on a wide range of medieval texts, artifacts, and images depicting strange bodies which trouble categories of both species and gender. From werewolves to copulating gemstones, from a corpse addressing the worms who devour it to animals who suckle human infants: the bodies that are scrutinized in these pages are a testament to the way in which medieval figures and stories can question and subvert ideas of convention and category.” —<i>French Studies</i></p>
<p>“. . . what happens to women and gender studies when theoretical attention moves away from the human? The authors of the essays have all published significant works related to women, gender and sexuality within the field of medieval studies. From Beasts to Souls reflects their interest in and concern about the recent development of posthumanism and animal studies.” —<i>H-France Review</i></p>
<p>“From Beasts to Souls takes up . . . questions about what happens to gender and sex in post- or nonhuman forms. The collection is theoretically savvy, both in its interactions with recent work in posthumanism, object-oriented ontology, and animal studies and in its use of theory to enable innovative readings of verbal and visual texts.” —<i>Renaissance Quarterly</i></p>
<p>“E. Jane Burns and Peggy McCracken take up the issue of post-humanism, most ably championed by Jeffrey J. Cohen, author of Medieval Identity. . . . Their scholarly goal is to look at medieval ‘representations of nonhuman or partially human creatures’ seeking insights into ‘gender and embodiment.’” —<i>Parergon</i></p>
<p>“This book certainly lives up to its promise to point to new directions of inquiry that a posthumanist perspective can provide, and it is easy to imagine many interesting discussions in graduate seminars where this text is adopted. . . . The questions raised here are wide-ranging and can be extended into other genres in literary studies and periods of history.” —<i>Sixteenth Century Journal</i></p>
<p>“This collection is groundbreaking, not least for its intellectual generosity: in asking what happens to gender in narratives that challenge the boundaries of the human. Essays in this volume connect the driving questions of posthumanism to feminist, queer, and postcolonial methodologies.” —<i>Studies in the Age of Chaucer</i></p>
<p>“This superb, well-illustrated anthology well represents medieval cultural studies’ recent focus on animals and other nonhuman subjects. It attends chiefly to Middle English and French literature, with a welcome aside into medieval Christian doctrine. Its topics range from stones to mother’s milk, werewolves and lions, gendered souls, free-floating genitalia, and monstrous founding mothers, demonstrating the range of materials that become available to scholars once we cease to presume that humans are the only proper subject of our attention, or that the category of ‘the human’ is an already answered question.” —<i>Arthuriana</i></p>
<p>“As a whole, the text offers a valuable contribution to the study of sex and gender in the medieval period by locating gender theory in relation to a diverse set of disciplinary and theoretical frames. . . . This collection offers a valuable contribution to medieval studies, gender studies, and new materialisms.” —<i>Theology and Sexuality</i></p>
<p>“This volume has everything to recommend it, not the least the list of contributors, some of the most enticing writers in the field. . . . Each article has a distinct theoretical profile, making it a collection of case studies on post-human gender from different perspectives. In this strong volume, every reader will find his or her preferred aspects.” —<i>Modern Philology</i></p>
Produktdetaljer
Biographical note
E. Jane Burns is the Druscilla French Distinguished Professor of Women's and Gender Studies, and adjunct professor of English and comparative literature at the University of North Carolina, Chapel Hill.
Peggy McCracken is professor of French, women's studies, and comparative literature at the University of Michigan.