Attention is fundamental to how we experience reality, and yet this notion has been understood and practised in very different ways across history. This interdisciplinary study explores the dynamic relationship between attention and its supposed opposite, distraction, as it unfolds from the eighteenth century to the present day. Its primary focus is on twentieth-century Germany and Austria, where matters of (in)attention gained a unique urgency during a period of social change and political crisis. Building on Enlightenment practices of self-observation, nineteenth-century Germany was the birthplace of experimental psychology, a discipline which sought to measure and potentially enhance human attention. This approach was also adopted outside the psychological laboratory for instance in the First World War, when psychological testing were used to select soldiers for particular strategic positions. After the war these techniques filtered through into everyday life. Weimar Germany was unique in the western world in rolling out the methods of 'psychotechnics' across civilian society in fields such as work and education, advertising and mass entertainment. This state-sponsored programme aimed to reshape people's minds and behaviour in order to build a more efficient, streamlined society. But as this study shows, this initiative also had profound repercussions in the fields of thought, literature, and culture. New readings of leading writers and intellectuals of the period Kafka, Musil, Kracauer, Benjamin, and Adorno are interspersed with broader cultural-historical chapters dedicated to the history of psychology and psychiatry, to Weimar self-help literature, portrait photography, and musical culture.
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This wide-ranging interdisciplinary study traces the intertwined histories of attention and distraction from the eighteenth century to the present day.
Preface Introduction 1: Virtue, Reflex, Pathology: Attention from the Enlightenment to the Late Nineteenth Century 2: Modernity: Fragmentation and Resistance 3: Franz Kafka: Diversion, Vigilance, Paranoia 4: Psychotechnics: Training the Mind 5: Threshold States: Robert Musil 6: The Art of Concentration: Self-Help Literature 7: Stillness: Weimar Portrait Photography 8: Presence of Mind: Walter Benjamin 9: Musical Listening between Immersion and Detachment 10: Spellbound: Theodor W. Adorno on Music and Style 11: Celan, Sebald, Hoppe: Networks of Attention Bibliography
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Carolin Duttlinger is Professor of German Literature and Culture at the University of Oxford and Fellow in German at Wadham College. Since 2009, she has been Co-Director of the Oxford Kafka Research Centre. She has published widely on German literature, thought, and culture from the eighteenth century to the present and has also spoken about these topics on radio and television both nationally and internationally. She is also the editor of the book series on Visual Culture, published by Legenda.
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A wide-ranging interdisciplinary study which explores the dynamic relation between attention and distraction from the Enlightenment to the present day Includes examples from Germany, the birthplace of modern psychology, and sets them within a wider, global context Shows that debates about attention and distraction are not unique to the digital age but can be traced back to previous periods, particularly the turn of the twentieth century, which sheds new light on current concerns Surveys of the history of psychology and psychiatry provide the backdrop for chapters which focus on literature, thought, music, and visual culture Offers new readings of canonical works and authors Provides a new and vibrant history of modernist culture through the lens of attention and distraction
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Produktdetaljer

ISBN
9780198944362
Publisert
2024
Utgiver
Vendor
Oxford University Press
Vekt
664 gr
Høyde
235 mm
Bredde
157 mm
Dybde
25 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
456

Forfatter

Biographical note

Carolin Duttlinger is Professor of German Literature and Culture at the University of Oxford and Fellow in German at Wadham College. Since 2009, she has been Co-Director of the Oxford Kafka Research Centre. She has published widely on German literature, thought, and culture from the eighteenth century to the present and has also spoken about these topics on radio and television both nationally and internationally. She is also the editor of the book series on Visual Culture, published by Legenda.