<p>"<i>Architectures of the Unforeseen</i> makes an invaluable contribution to the fields of art history and philosophy by providing a close reading of the interplay between space and embodiment in the works of Greg Lynn, Rafael Lozano-Hemmer, and Simryn Gill. Considering the artists' respective projects within a philosophical framework for architecture, site-specificity, place making, and translocal practice, Brian Massumi traces points of intersection between the works in intriguing ways. His highly original interpretations stage encounters between philosophical and art practice, opening up transformative spaces of becoming that illuminate both disciplines."—Christiane Paul, The New School</p>
<p>"When describing his process of writing in the Concluding Remarks, I couldn’t help thinking of that of making mille-feuille for which the dough has to be stretched and folded back into itself multiple times in order to finally achieve the delicate, fine-layered pastry. Intricate, not straight forward, to be revisited. And although Massumi’s book is classified under art history and visual culture, praised for its ‘invaluable contribution’ to the first, it at times resembles more a physics book due to the extensive description of the processes followed by the artists. Close reading resulting in dense, at times very poetic writing. An artwork, or process, in itself, perhaps."—<i>Leonardo Reviews</i></p><p>"Here the ‘transduction’ between artistic and philosophical issues becomes an intellectual exercise that easily succeeds."—<i>Neural</i></p>
Produktdetaljer
Biographical note
Brian Massumi is the author of numerous works across philosophy, political theory, and art theory. His publications include 99 Theses on the Revaluation of Value: A Postcapitalist Manifesto (Minnesota, 2018); Semblance and Event: Activist Philosophy and the Occurrent Arts; and Parables for the Virtual: Movement, Affect, Sensation.