This book investigates the ways in which architectural researchers, teachers of architecture, their students and practising architects, filmmakers and artists are using filmmaking uniquely in their practice.

Introduction  Part I: Architecture Filmmaking Technique  Architectural Codes in the works of Dan Graham, Bernard Tschumi and Diller and Scofidio – Sarah Breen Lovett The Depth Between Frames: Architectural Representation in Two Films by Elizabeth Price and Rut Blees Luxemburg – Alexandra Stara Mysteries of the Visible: Filmic Operations and Their Value for the Representation of Place – Artistic Research in the Moving Image – Fred Truniger Paris Plays Itself: Widescreen and the City in Tati, Godard and Melville – Douglas Smith Tracking Spatial Continuity in the Urban Realm – Igea Troiani and Hugh Campbell Inside History: Filmic Space-time and an Electronics Archaeology – Christine McCarthy Part II: Architecture Filmmakers  Section I  Reimagining Domesticity in 03-FLATS: Single Women and Singapore Public Housing – Lilian Chee Filming Architecture and the Architecture of Film: A Reading of the Maison de Verre – Mary Vaughan Johnson Light Matter: The Transdisciplinary Practice of the Architectural Moving Drawing – Eleanor Suess Section II  Hammer to Bell: A Poetic Documentary about Limerick – Jan Frohburg and Christina Gangos Invented Memories: Notes on Filming Industrial Ruins in Eleonas, Athens – Ektoras Arkomanis Errant Bodies: A Critical Essay on the Film More Out of Curiosity – Ronnie Close Section III  Fight Club: Whether to Make PoMo Architecture or Blow It Up! – Dik Jarman His House, Our House and Her House: A Filmic Place for Women – Igea Troiani Stylist as Auteur: Hierarchy, Reputation and Creative Control – Philip Clarke Part III: Architecture Filmmaking Pedagogy  Un-framing Reality: Sets of Intensities as Smallest Common Denominator in Film and Architecture – Marc Boumeester From Blockbuster to Any Space: A Pedagogy of the Filmic Imaginary – Randall Teal Deeper into Projection: Spatiotemporal Design Inquiry through Digital and Computational Methods – Thomas Forget Resonance and Transcendence of a Bodily Presence: How a Filmic Mapping of Non-visual, Aural and Bodily Relations in Space Can Strengthen the Sensory Dimension in Architectural Design – Rikke Munck Petersen and Mads Farsø Cinematic Collage as Architectural Design Research – Igea Troiani and Tonia Carless Cinematics in Architectural Practice and Culture: The Cambridge Project –François Penz and Maureen Thomas A Postgraduate Student’s Pursuit for the Future of Architecture Filmmaking in Cuba’s Cinematic Heart: No Hay CINE – Edward Gillibrand