Alf layla wa layla (known in English as A Thousand and One Nights or The Arabian Nights) changed the world on a scale unrivalled by any other literary text. Inspired by a fourteenth-century Syrian manuscript, the appearance of Antoine Galland's twelve-volume Mille et Une Nuits in English translation (1704-1717), closely followed by the Grub Street English edition, drew the text into European circulation. Over the following three hundred years, a widely heterogeneous series of editions, compilations, translations, and variations circled the globe to reveal the absorption of The Arabian Nights into English, Continental, and global literatures, and its transformative return to modern Arabic literature, where it now enjoys a degree of prominence that it had never attained during the classical period. Beginning with a thorough introduction situating The Arabian Nights in its historical and cultural contexts-and offering a fresh examination of the text's multiple locations in the long history of modern Orientalism--this collection of essays by noted scholars from 'East', 'West', and in-between reassesses the influence of the Nights in Enlightenment and Romantic literature, as well as the text's vigorous after-life in the contemporary Arabic novel.
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In the 300 hundred years following the translation of The Arabian Nights into French and English, a chain of editions, compilations, translations, and variations has circled the globe. Here scholars from across the world reassess the influence of the Nights in Enlightenment and Romantic literature and beyond.
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Introduction ; 1. Translation in the Contact Zone: Antoine Galland's Mille et une nuits: contes arabes ; 2. Cultivating the Garden: Antoine Galland's Arabian Nights in the Traditions of English Literature ; 3. Playing the Second String: The Role of Dinarzade in Eighteenth-Century English Fiction ; 4. Galland, Georgian Theater, and the Creation of Popular Orientalism ; 5. Christians in The Arabian Nights ; 6. White Women and Moorish Fancy in Eighteenth-Century Literature ; 7. William Beckford's Vathek and the Uses of Oriental Reenactment ; 8. The peculiar character of the Arabian Tale: William Beckford and The Arabian Nights ; 9. Coleridge and the Oriental Tale ; 10. The Adventure Chronotope and the Oriental Xenotrope: Galland, Sheridan, and Joyce Domesticate The Arabian Nights ; 11. Under the Spell of Magic: The Oriental Tale in Rimsky-Korsakov's Scheherazade ; 12. The Influence of The Arabian Nights on the Contemporary Arabic Novel
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The Arabian Nights in Historical Context showcases the range and quality of literary scholorship that the oriental tale is currently attracting... scholars of eighteenth-century and Romantic literature will find so much to interest them here, and this collection is also highly recommended to anyone involved in the continuing challenge of mapping out the wider cross-cultural influences of the Nights.
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Reassesses the influence of The Arabian Nights in Enlightenment and Romantic literature, the nature of 'Orientalism', and the text's vigorous after-life in the contemporary Arabic novel With contributions from an impressive line-up of eminent scholars from across the world Includes an extensive bibliography of scholarship on The Arabian Nights and lists editions
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Saree Makdisi is Professor of English and Comparative Literature at the University of California, Los Angeles. He is the author of Romantic Imperialism: Universal Empire and the Culture of Modernity (1998), and William Blake and the Impossible History of the 1790s (2003). He has also written a number of articles for publications including Critical Inquiry, South Atlantic Quarterly, Studies in Romanticism, The Cambridge Companion to Blake, The Oxford Encyclopedia of British Literature, and The Cambridge Companion to English Literature, 1740-1830. Felicity Nussbaum is Professor of English at the University of California, Los Angeles, and Senior Global Fellow with the International Institute. She is the author most recently of The Limits of the Human: Fictions of Anomaly, Race, and Gender in the Long Eighteenth Century (2003), and the editor of The Global Eighteenth Century (2003). Among her other publications are The Autobiographical Subject: Gender and Ideology in Eighteenth-Century England (1989), co-winner of the Louis Gottschalk Prize; and Torrid Zones: Maternity, Sexuality, and Empire (1995).
Les mer
Reassesses the influence of The Arabian Nights in Enlightenment and Romantic literature, the nature of 'Orientalism', and the text's vigorous after-life in the contemporary Arabic novel With contributions from an impressive line-up of eminent scholars from across the world Includes an extensive bibliography of scholarship on The Arabian Nights and lists editions
Les mer

Produktdetaljer

ISBN
9780199554157
Publisert
2008
Utgiver
Vendor
Oxford University Press
Vekt
741 gr
Høyde
241 mm
Bredde
161 mm
Dybde
22 mm
Aldersnivå
UU, UP, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
352

Biographical note

Saree Makdisi is Professor of English and Comparative Literature at the University of California, Los Angeles. He is the author of Romantic Imperialism: Universal Empire and the Culture of Modernity (1998), and William Blake and the Impossible History of the 1790s (2003). He has also written a number of articles for publications including Critical Inquiry, South Atlantic Quarterly, Studies in Romanticism, The Cambridge Companion to Blake, The Oxford Encyclopedia of British Literature, and The Cambridge Companion to English Literature, 1740-1830. Felicity Nussbaum is Professor of English at the University of California, Los Angeles, and Senior Global Fellow with the International Institute. She is the author most recently of The Limits of the Human: Fictions of Anomaly, Race, and Gender in the Long Eighteenth Century (2003), and the editor of The Global Eighteenth Century (2003). Among her other publications are The Autobiographical Subject: Gender and Ideology in Eighteenth-Century England (1989), co-winner of the Louis Gottschalk Prize; and Torrid Zones: Maternity, Sexuality, and Empire (1995).