This is an enjoyable, scholarly and illuminating collection of essays that highlights the continuing significance of ancient Greek texts for writers across the world today. I found it a horizon-expanding reading experience. -- Susan Bassnett, Professor of Comparative Literature, University of Glasgow, UK This volume of exciting analyses of fiction published after 1989 in all corners of the world is a reminder that if classical literature comes from the past it definitely belongs to the present. Any reader of this book will have a hard time believing that modern culture can be understood without constant use of this stock of stories. Through centuries the ancient texts, plots and characters have penetrated our ways of seeing the world. This volume is a living proof that today's literature, film and media products constantly engage in a surprising and not always respectful dialogue with Homer, Virgil, Euripides and lot of others long dead and gone. They are messengers from a time before national literatures and national cultures crossing over to a global world breaking away from national boundaries. This lively, learned and engaging book offers a rich resource for students, teachers and everybody who enjoys contemporary fiction. -- Svend Erik Larsen, Professor of Comparative Literature, Aarhus University, Denmark, Vice-President of the Academia Europaea, co-editor of Orbis Litterarum With its global reach and focus on recent fiction, this collection takes the study of classical reception into important new territory. The editors have assembled a diverse group of contributors to show that Greek myth remains a vital resource for story-tellers in a world of political upheavals and redrawn cultural maps. -- Sheila Murnaghan, Alfred Reginald Allen Memorial Professor of Greek, University of Pennsylvania, USA

Ancient Greek Myth in World Fiction since 1989 explores the diverse ways that contemporary world fiction has engaged with ancient Greek myth. Whether as a framing device, or a filter, or via resonances and parallels, Greek myth has proven fruitful for many writers of fiction since the end of the Cold War. This volume examines the varied ways that writers from around the world have turned to classical antiquity to articulate their own contemporary concerns.

Featuring contributions by an international group of scholars from a number of disciplines, the volume offers a cutting-edge, interdisciplinary approach to contemporary literature from around the world. Analysing a range of significant authors and works, not usually brought together in one place, the book introduces readers to some less-familiar fiction, while demonstrating the central place that classical literature can claim in the global literary curriculum of the third millennium. The modern fiction covered is as varied as the acclaimed North American television series The Wire, contemporary Arab fiction, the Japanese novels of Haruki Murakami and the works of New Zealand’s foremost Maori writer, Witi Ihimaera.

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Acknowledgements
List of Contributors

Introduction, Justine McConnell

1 From Anthropophagy to Allegory and Back: A Study of
Classical Myth and the Brazilian Novel, Patrice Rankine
2 Ibrahim Al-Koni’s Lost Oasis as Atlantis and His Demon as
Typhon, William M. Hutchins
3 Greek Myth and Mythmaking in Witi Ihimaera’s The Matriarch
and The Dream Swimmer, Simon Perris
4 War, Religion and Tragedy: The Revolt of the Muckers in
Luiz Antonio de Assis Brasil’s Videiras de Cristal,
Sofia Frade
5 Translating Myths, Translating Fictions, Lorna Hardwick
6 Echoes of Ancient Greek Myths in Murakami Haruki’s
novels and in Other Works of Contemporary Japanese
Literature, Giorgio Amitrano
7 ‘It’s All in the Game’: Greek Myth and The Wire, Adam Ganz
8 Writing a New Irish Odyssey: Theresa Kishkan’s A Man in
a Distant Field, Fiona Macintosh
9 The Minotaur on the Russian Internet: Viktor Pelevin’s
Helmet of Horror, Anna Ljunggren
10 Diagnosis: Overdose – Status: Critical. Odysseys in
Bernhard Schlink’s Die Heimkehr, Sebastian Matzner
11 Narcissus and the Furies: Myth and Docufiction in
Jonathan Littell’s The Kindly Ones, Edith Hall
12 Philhellenic Imperialism and the Invention of the Classical
Past: Twenty-first Century Re-imaginings
of Odysseus in the Greek War for Independence, Efrossini Spentzou
13 The ‘Poem of Force’ in Australia: David Malouf, Ransom and Chloe
Hooper, The Tall Man, Margaret Reynolds
14 Young Female Heroes from Sophocles to the Twenty-First
Century, Helen Eastman
15 Generation Telemachus: Dinaw Mengestu’s How to Read
the Air, Justine McConnell

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An exploration of the diverse uses and abuses of Greek myth in fiction internationally since 1989.
The first study to explore the role of ancient myth in modern fiction
Bloomsbury Studies in Classical Reception presents authored and edited scholarly volumes offering new and innovative research and debate to students and scholars in the reception of Classical Studies. Each volume will explore the appropriation, reconceptualization and recontextualization of various aspects of the Graeco-Roman world and its culture, looking at the impact of the ancient world on modernity. Research will also cover reception within antiquity, the theory and practice of translation, and reception theory.
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Produktdetaljer

ISBN
9781472579379
Publisert
2016-06-02
Utgiver
Vendor
Bloomsbury Academic
Vekt
581 gr
Høyde
234 mm
Bredde
156 mm
Aldersnivå
UP, UU, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
288

Biographical note

Edith Hall is Professor of Classics at King’s College London, and Consultant Director of the Archive of Performances of Greek and Roman Drama in Oxford, UK. She has published more than twenty books on ancient Greek culture and its reception including The Return of Ulysses (2008), Greek Tragedy(2010), Adventures with Iphigenia in Tauris (2013) and Introducing the Ancient Greeks (2015).

Justine McConnell is a Leverhulme Early Career Fellow at The Oxford Research Centre in the Humanities (TORCH), University of Oxford, UK. She is the author of Black Odysseys: The Homeric Odyssey in the African Diaspora since 1939 (2013), and co-editor of Ancient Slavery and Abolition: from Hobbes to Hollywood (2011) and The Oxford Handbook of Greek Drama in the Americas (2015).