What do we mean when we claim affinity with an object or picture, or say affinities exist between such things? Affinities is a critical and personal study of a sensation that is not exactly taste, desire, or allyship, but has aspects of all. Approaching this subject via discrete examples, this book is first of all about images that have stayed with the author over many years, or grown in significance during months of pandemic isolation, when the visual field had shrunk. Some are historical works by artists such as Julia Margaret Cameron, Dora Maar, Claude Cahun, Samuel Beckett and Andy Warhol. Others are scientific or vernacular images: sea creatures, migraine auras, astronomical illustrations derived from dreams. Also family photographs, film stills, records of atomic ruin. And contemporary art by Rinko Kawauchi, Susan Hiller and John Stezaker. Written as a series of linked essays, interwoven with a reflection on affinity itself, Affinities is an extraordinary book about the intimate and abstract pleasures of reading and looking.
Les mer
Written as a series of linked essays, interwoven with a reflection on affinity itself, Affinities completes a trilogy, with Essayism and Suppose a Sentence, about the intimate and abstract pleasures of reading and looking.
Les mer
‘Brian Dillon is always invigoratingly brilliant. His sentences, his stylistic innovations, the range and potency of his intellectual adventures; he is a true master of the literary arts and a writer I would never hesitate to read, whatever his subject.’ — Max Porter, author of Shy
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Produktdetaljer

ISBN
9781804270165
Publisert
2023-02-16
Utgiver
Vendor
Fitzcarraldo Editions
Høyde
196 mm
Bredde
127 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
320

Forfatter

Biographical note

Brian Dillon was born in Dublin in 1969. His books include Suppose a SentenceEssayismThe Great Explosion (shortlisted for the Ondaatje Prize), Objects in This Mirror: EssaysI Am Sitting in a RoomSanctuaryTormented Hope: Nine Hypochondriac Lives (shortlisted for the Wellcome Book Prize) and In the Dark Room, which won the Irish Book Award for non-fiction. His writing has appeared in the New YorkerGuardianNew York TimesLondon Review of BooksTimes Literary SupplementBookforumfrieze and Artforum. He is UK editor of Cabinet magazine, and teaches Creative Writing at Queen Mary, University of London.