Produktdetaljer
Biographical note
David Hepworth has been writing about, broadcasting about and speaking about music since the 70s. He was involved in the launch and/or editing of magazines like Smash Hits, Q, Mojo and The Word among many others.
He was one of the presenters of the BBC rock music programme Whistle Test and one of the anchors of the Corporationâs coverage of Live Aid in 1985. He has won the Editor of the Year and Writer of the Year awards from the Professional Publishers Association and the Mark Boxer Award from the British Society of Magazine Editors.
He is a director of the independent company Development Hell and divides his time between writing for a variety of magazines and newspapers, speaking at events, broadcasting work and blogging. He lives in London.
âI was born in 1950,â he says, âwhich means that in terms of music I have the winning ticket in the lottery of lifeâ.
David Hepworth's argument is simple: 1971 was "the most febrile and creative time in the entire history of popular music". It's an enormous assertion but he makes his point with infectious enthusiasm . . . Whether you agree is beside the point. <b>This is a compelling love letter to a year of timeless music.</b>
Q
A <b>clever and entertaining</b> book . . . Hepworth proves a refreshingly independent thinker. <b>His style is pithy and his eye for anecdotal detail sharp</b> . . . a thoroughly provoking delight
Daily Telegraph
This is no âmy generation is cooler than yoursâ nostalgia trip. Just as movements in art, jazz or TV undeniably had Golden Ages then so too with the long-playing record and its seismic effect on subsequent generations. David Hepworthâs forensic sweep of this astonishing twelve months is <b>thoroughly absorbing and appropriately rollicking</b>, expertly guiding us through one miraculous year in all its breathless tumble of creation.
- Danny Baker,
A good mix of <b>entertainment, insight and odd facts</b>. Hepworthâs thesis is largely convincing
Mojo
An engaging and thought-provoking read. Itâs <b>a dry-eyed but deeply felt love note</b> to the date when rock was still busy inventing itself. Hepworth points out more than once that at the time he had no idea how lucky he hwas. He knows now â and so do we
Mail on Sunday
Produktdetaljer
Biographical note
David Hepworth has been writing about, broadcasting about and speaking about music since the 70s. He was involved in the launch and/or editing of magazines like Smash Hits, Q, Mojo and The Word among many others.
He was one of the presenters of the BBC rock music programme Whistle Test and one of the anchors of the Corporationâs coverage of Live Aid in 1985. He has won the Editor of the Year and Writer of the Year awards from the Professional Publishers Association and the Mark Boxer Award from the British Society of Magazine Editors.
He is a director of the independent company Development Hell and divides his time between writing for a variety of magazines and newspapers, speaking at events, broadcasting work and blogging. He lives in London.
âI was born in 1950,â he says, âwhich means that in terms of music I have the winning ticket in the lottery of lifeâ.