Endlessly intriguing … Laymon approached <i>How to Slowly Kill… </i>as an album, with each essay a different track. The book contains odes to black American heroes, dirges and ballads to family members past and present, and the occasional skit. At its core beats the rat-a-tat-tat that knocks at the core of modern America: the shameful, insidious racism endured by the hyphenated African-American population
Independent
A blistering new voice, fearless, funny and uncompromising, these vivid personal accounts illuminate the dynamics of a black America grappling with a complex legacy. Achingly relevant
Irenosen Okojie
He is intimately attuned to the confusion of young black Americans who live under the shadow of a history that they only gropingly understand and must try to fill in for themselves
<i>Wall Street Journal</i>
Kiese Laymon's powerful writing on race in America hit me square in the stomach. He perfectly illustrates a space between imprisonment and freedom, the state of being out, but not quite free
Reni Eddo Lodge
Examining issues of race, family and what is tearing America apart
Irish Times, ‘Books to Watch Out For in 2016’
Laymon’s voice is unique
<i>Chicago Book Review</i>
A brilliant young writer
William Henry Lewis, author of <i>I Got Somebody in Staunton</i>
The racial/ethical awareness is as complex as Coetzee’s, and Laymon is just as good a writer
Tim Strode, author of <i>Ethics of Exile</i>
Master wordsmith … Laymon shook minds with his brutally introspective personal essay
Ebony