Crossover Stardom Popular Male Music Stars in American Cinema
Produktdetaljer
Biographical note
Julie Lobalzo Wright is a Teaching Fellow in Film and Television Studies at the University of Warwick. She has published several articles and book chapters on film stardom and popular music and film. She is the co-editor, along with Lucy Bolton, of the BAFTSS winning Best Edited Collection, Lasting Screen Stars: Images that Fade and Personas that Endure (2016).<i>Crossover Stardom</i> represents a welcome intervention in star studies, providing a long overdue framework to explore multi-media stardom as a key concept within the field. Lobalzo Wright's wide-ranging study of stars from Crosby to Kristofferson is entertaining and enlightening, serving as both a rich resource and an invitation to further research on this essential topic.
Karen McNally, Senior Lecturer in Film and Television Studies, London Metropolitan University, UK
Julie Lobalzo Wright explores a relatively neglected but important field of star studies. Her clear, scholarly and lively discussion of male stars with contrasting levels of meaning and popularity in different media expertly ranges over questions of genre, spectatorship and masculinity. Drawing especially on gender and cultural theory, her fine analysis of persona and performance brilliantly highlights afresh the impact and significance of crossover stars like Bing Crosby and Elvis Presley.
Peter William Evans, Emeritus Professor of Film Studies, Queen Mary, University of London, UK
<i>Crossover Stardom</i> presents five case studies of US American male stars who moved from music to film. Although each case study is insightful in itself, the strength of <i>Crossover Stardom</i> is the bringing together of five quite different male stars over a period of almost a century. Lobalzo Wright effectively uses the concept of the star image to examine both the historical continuities as well as the changes in the way gender and genre function within the entertainment industry. Rather than merely questioning whether or not these crossovers into film were successful, the book shows how the onscreen performances are informed by the off-screen music star image. The focus on the star image enables to explore how these performers embody an ideal masculinity of their times and its connection to music genres, ranging from the American songbook, rock ’n’ roll and country to contemporary hip-hop and pop. <i>Crossover Stardom</i> not only successfully applies the star image to popular music studies, but also highlights the relevance of the—often-neglected—male music star in the study of film.
Jaap Kooijman, Associate Professor in Media Studies and American Studies, University of Amsterdam, The Netherlands