Molière doesn't need email and references to HRT to speak to us – what he really needs is a poet who can wring the dryness out of the 12-syllable Alexandrine line while retaining most of the juicy rhyming couplets. McGough's version is a whimsical delight.

- Alfred Hickling, Guardian

The wit of McGough’s text trembles on the verge of knockabout, which works admirably when the comedy is kept taut ... infused with real emotion ... [a] sparkling tragicomedy

- Jane Shilling, Telegraph

Witty, insightful ... McGough’s sparky account, set firmly in a period of aristocratic frippery, is chock-full of down-to-earth contemporary lingo with dialogue spoken almost entirely in rhyming couplets ... McGough’s cheeky poetic license ... undoubtedly has audience appeal

- Roger Foss, Stage

Se alle

Stuffed with jaunty couplets and cheeky rhymes... darkly delicious

The Times

Affection I can endure, affectation I abhor. Empty phrases, meaningless gestures of faked good-will. These affable dispensers of embraces make me ill. Disgusted with French society where powdered fops gossip in code and bejewelled coquettes whisper behind fans, poet Alceste embarks on a one-man crusade against fakery, frippery and forked tongues. But could the woman he adores be the worst culprit of them all? And in this rarefied world will his revolution prove merely revolting? Considered by many to be Molière’s best work, The Misanthrope was first performed in 1666 in Paris by the King’s Players. Following the huge successes of Tartuffe and The Hypochondriac master wordsmith Roger McGough once again dips his quill into a Molière classic in this mockery of manners and morals set amid seventeenth-century French aristocracy and written in verse.
Les mer
Following the huge successes of Tartuffe and The Hypochondriac master wordsmith Roger McGough once again dips his quill into The Misanthrope, the comedy many consider to be Molière's best work.
Translated by Liverpool poet Roger McGough, this is one of Molière’s most popular and well-known comedies, and will have a broad appeal to readers of plays and poetry, actors, and students of theatre, – in particular – seventeenth-century drama.
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The Modern Plays series is world famous for containing the work of many of the finest contemporary playwrights. Established in 1959 with the publication of Shelagh Delaney's A Taste of Honey, it remains a series synonymous with the very best in new writing for the stage. Today it features over 1000 plays and continues to grow alongside the staging of new work.
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Produktdetaljer

ISBN
9781472510716
Publisert
2013-02-15
Utgiver
Vendor
Methuen Drama
Vekt
104 gr
Høyde
198 mm
Bredde
129 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
96

Forfatter
Adapted by

Biographical note

Roger McGough, CBE is one of the pre-eminent poets writing today. As one of the Liverpool poets alongside Brian Patten and Adrian Henri, he helped create the art of performance poetry. He is also an accomplished playwright, with two of his previous adaptations of Molière's plays published by Methuen Drama. He was made a Fellow of the Royal Society of Literature in 2004. Molière (1622-1673) was a French playwright and actor-manager who raised the standard of French comedy to a level commensurate with French tragedy.