'A valuable addition to the literature on Abstract Expressionism' - The Burlington Magazine

'Concise, comprehensive and accessible … highly recommended' - Timeless Travels

Abstract Expressionism is the most important art movement since the Second World War. Although it is often considered a revolution in painting alone – for the images created by such leading figures as Jackson Pollock, Clyfford Still, Willem de Kooning and Mark Rothko remain altogether extraordinary – its radical spirit extended further, encompassing the sculpture of David Smith and Aaron Siskind’s photography. Along with other key artists such as Barnett Newman and Franz Kline, these artists formed a nucleus united not just against the tensions of American society from the 1930s onwards, but also in their aim to forge diverse new visual languages. David Anfam explores the movement in terms of its political implications and rich cultural contexts, bringing many fresh insights to the works themselves. Taking into account a wealth of scholarship, this new edition also has nearly one hundred works reproduced in colour.
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Taking into account a wealth of scholarship, this book explores the movement in terms of its political implications and rich cultural contexts.
• 1. Introduction • 2. Background and Early Work • 3. The Question of a Heritage • 4. The Ideographic Picture • 5. The Process of Painting • 6. Being and Field • 7. The Later Work • After Abstract Expressionism
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'A valuable addition to the literature on Abstract Expressionism' - The Burlington Magazine
An accessible introduction to the most important art movement since the Second World War

Produktdetaljer

ISBN
9780500204276
Publisert
2015-08-10
Utgave
2. utgave
Utgiver
Vendor
Thames & Hudson Ltd
Vekt
490 gr
Høyde
210 mm
Bredde
150 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
224

Forfatter

Biographical note

David Anfam (1955–2024) was a writer, curator and leading authority on modern American art. He served as Senior Consulting Curator at the Clyfford Still Museum in Denver and was Director of its Research Center. His publications include Abstract Expressionism (1990), the catalogue raisonné Mark Rothko: Works on Canvas (1998), which won the Mitchell prize in 2000, and studies on Anish Kapoor, Edward Kienholz and Wayne Thiebaud.